Actor based in Los Angeles. Television, film and theatre in English and Hebrew.
Arthur Birling · Hollywood Fringe Festival 2026 · Photos by Jade Vescovi
Theatrical, commercial and character headshots. Select a photo to view it larger.
I’m an Israeli actor trained at the Los Angeles Performing Arts Conservatory. My credits include Manayek, Alumim and The Malevolent Bride on Kan 11, and productions at Gesher Theatre. I work in English and Hebrew.
Bold Journey · May 25, 2026
“Acting has to come from truth. Most of the time, less is more.”Read the interview (opens in a new tab)
For casting and professional inquiries. Based in Los Angeles, working in the United States and Israel.
Representation in Israel: Zohar Jacobson Agency (opens in a new tab)
Actor résumé
Israeli actor based in Los Angeles. Working in English and Hebrew across television, film and theatre.
Certified Personal Trainer · Armed and unarmed stage combat · Motion capture
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Last updated October 26, 2026
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Last updated October 26, 2026
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Last updated October 26, 2026
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Credits
Credits and ownership notices for selected materials displayed in this professional portfolio.
Last updated October 26, 2026
Theatrical headshots in a blue shirt and white tank top (Los Angeles, 2026) by Timothy Fielding. Earlier portrait and studio photography by Seli Ben Ari. Portrait series in a white tank top and black shirt (Los Angeles, 2026) by Adam Chambers. Close-up editorial portraits by Aldana Gonzalez Nicoletto. Scene still with Lucas from Martin Thompson’s on-camera class at LAPAC (Los Angeles, 2026), photographed by Yuli Vantura. Still from The Malevolent Bride courtesy of Kan 11 (created and directed by Oded Davidoff; cinematography by Yaron Scharf; Ananey Studios / A+E Studios). Still from High School of the Ravens (short film, dir. Maxim Drobitsky). Production photographs from An Inspector Calls (Hollywood Fringe Festival 2026) by Jade Vescovi. Copyright in each photograph remains with its applicable photographer or rights holder unless expressly transferred in writing. Typeface: Bricolage Grotesque by Mathieu Triay, used under the SIL Open Font License 1.1 and served from this website.
Short film · 2024 · Released and screened in 2025
Nimrod Endvelt in a lead role. Written, directed and produced by Ido Lev Shalom for Sapir College. Cinematography by Doron Ben Natan. Edited by Idan Rephael. Sound design and original score by Gavriel Maimon. Cast: Iris Shachaf and Nimrod Endvelt.
Screen production · 2025
Nimrod Endvelt in a lead role. Written and directed by Noa Bar. Produced by Aya Haluba. Cinematography and effects by Raz Brotman. Editing and color by Ori Levin.
Short film · 2024
Nimrod Endvelt in a lead role. Directed by Amit Davidson. Earlier working titles refer to the same production and are not listed as separate projects.
Short film · 2024
Nimrod Endvelt in a lead role. Directed by Maxim Drobitsky.
Short film · 2021
Nimrod Endvelt in a lead role. Directed by Rona Segal and produced for the Association of Rape Crisis Centers in Israel.
Television
Manayek (Rats), recurring, Kan 11 and Yoav Gross Productions. Alumim (Unknowns), recurring, Kan 11 and Rabel Films. The Malevolent Bride, co-star, Kan 11, Ananey Studios and A+E Studios.
Theatre
An Inspector Calls, Arthur Birling, Hollywood Fringe Festival 2026. Murder on the Orient Express, Michel the Conductor, The Promenade Playhouse. A Pigeon and a Boy, Benjamin, Gesher Theatre. Antigone, Antigone’s brother, Gesher Theatre.
Selected screen stills are credited to their respective productions and rights holders, including KAN 11, Sapir College and Minshar University. Selected production photographs from An Inspector Calls at the Hollywood Fringe Festival 2026 are displayed in connection with Nimrod Endvelt’s performance as Arthur Birling. Copyright remains with each applicable photographer or rights holder.
“Meet Nimrod Endvelt” was published by Bold Journey, opens in a new tab on May 25, 2026. The portfolio links to the original publication and includes only a brief excerpt.
Third party names, trademarks, photographs, and production materials remain the property of their respective owners. No endorsement or ownership by Nimrod Endvelt is implied. A credit notice does not replace permission from the applicable rights holder. Questions, corrections, or rights concerns can be sent to [email protected].
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